Friday 7. 2.
ALTIN GÜN /TR, NL
In the universe, there are things that are known, and things that are unknown, and in between, there are doors,” nineteenth century poet and novelist William Blake once beautifully suggested. To discover new things you sometimes need someone to open a door between the known and the unknown. Altin Gün (‘Golden Day’) is the band holding that door handle. And when the door swings open you smell, feel and hear a mix of sounds you may have heard before separately but never in this brilliant new context that sounds totally new.
On their debut album ‘On’ (Bongo Joe Records), the band show what happens when you open doors between Turkish folk songs which were passed on from generation to generation on the one hand and a dirty blend of funk rhythms, wah-wah guitars and analogue organs on the other. The Amsterdammers who come from various backgrounds (Turkish but also Indonesian and Dutch) comfortably create their work in the adventurous no-man’s land that exists between these two worlds.
Older generations of Turkish musicians have also experimented with opening doors between previously unconnected sonic worlds. During the seventies, artists such as Baris Manço, Selda Bağcan and Erkin Koray practiced a way of songwriting and composing similar to Altin Gün’s.
Manço, Bağcan and Koray have all influenced Altin Gün, but their foremost inspiration is Neşet Ertaş, a Turkish folk musician whose musical legacy is invaluable. Comparisons are almost impossible to make but imagine someone with the same impact and status as Bob Dylan or George Gerschwin and you’re getting close. Many of the songs he wrote have become standards in Turkey, national treasures which are cherished up until the present day. Altin Gün retain the lyrical and thematic structure of Ertaş’s songs, though they often alter their time signatures and add fuzzy bass sounds, sweltering organ sounds and raw saz riffs. Ertaş wrote the majority of the songs on the album even if these are hardly recognisable after all the work Altin Gün have done on them. Let Altin Gün open that door for you and get ready to indulge in their fresh and beautiful sound.
Altin Gün are, Ben Rider (guitar), Daniel Smienk (drums), Jasper Verhulst (bass), Merve Dasdemir (vocals), Erdinc Yildiz Ecevit (saz, keys, vocals), Gino Groenveld (percussion).
Balkan psych meets bass, breaks and synth electronica with a touch of groove.
Balkan Taksim are a band known for raising a groovy-balkan storm with their intoxicating blend of sharp contemporary electronic music with balkan psychsounds & vocals! No banging overrated techno spiced up with darbuka samples here… no standard IDM music with balkan clichés: Balkan Taksim’s music is sincere and deep. It’s not a collage, not an appropriation, not even a “fusion”. It originates from encounters on equal terms between different Balkan cultures, traditional Balkan instruments, Carpathian ancient rhythms, timeless voices, psychedelic modes, contemporary musical technologies, futurist visions… and Romanian people.